Sandpaper Suit is NYC standup comic Matt Ruby's (now defunct) comedy blog. Keep in touch: Sign up for Matt's weekly Rubesletter. Email mattruby@hey.com.
8/27/14
8/26/14
Yelp for doctors?
Crazy how there’s Yelp for restaurants but not doctors.
Need cupcakes? 562 detailed reviews.
Need surgery? Spin this random wheel of death!
— Matt Ruby (@mattruby) August 20, 2014
8/25/14
Vulnerable vs. confident
How do you seem confident and vulnerable at the same time? Are they opposite feelings? Thought about that while reading this bit from an interesting profile on Jeff Tweedy from Wilco.
Read the rest.
“The way I see it is that I was always pretty comfortable with being vulnerable, but not particularly confident,” Tweedy said. “I feel like I’m a lot more confident, but I still embrace the fact that I am pretty vulnerable, if that makes any sense. I don’t have to be somebody else. I don’t have to be as good as somebody else, I just have to keep making stuff that I am excited by. That is one of the only things I have had control over. I am more aware of it — I am more aware of the things that I have control over.”
Read the rest.
8/21/14
Trying to understand the other side
Writer and comedian Alex Blagg on people getting offended.
I like that notion: If you're coming across as human and digging deep and trying to understand people's genuine motivations and behaviors, it's gonna be tough for anyone to call you insensitive.
Almost no comedy will be inoffensive to everybody, and if it is it's probably pretty boring. With comedy you're relieving tension by saying and doing the unexpected, and a lot of times that by its nature will lead to people not liking the results or saying it's offensive to them — that your representation of their particular experience is unfair or inaccurate. That will always happen, but I think the likelihood of that happening is so greatly diminished when you're setting out as a performer or creator to try to be honest. Instead of just saying Okay, what's the first thought that comes to my head — what's the easiest stereotype I can make fun of? and then just going with that, thinking a little bit deeper and trying to understand the real motivations and attitudes and behaviors that make us human, and then looking at those things as the material you can focus the joke on — I think that's where the best comedy comes from and that's why people like Key and Peele are almost infallible. It'd be really tough to put together a legitimate case about them being lazy or insensitive comedians. They feel like humanists to me.
I like that notion: If you're coming across as human and digging deep and trying to understand people's genuine motivations and behaviors, it's gonna be tough for anyone to call you insensitive.
8/19/14
POOLJUMPERS trailer
Love how this video (above) is making fun of the format of documentary trailers for flicks like Dogtown and Z-Boys (below). The actual concept isn't that meaty but the editing and style of it make the whole thing shine.
8/18/14
Cigarillos, etc.
"Here's 19-page police report on theft of a box of cigarillos."
"How many times was the kid shot?"
"WE'LL GET TO IT WHEN WE GET TO IT."
— Matt Ruby (@mattruby) August 16, 2014
8/12/14
When my band ran into Robin Williams while he was filming Patch Adams
My one run-in with Robin Williams was when he was filming Patch Adams in Chapel Hill. Back then I was in a rock 'n roll band and we were on tour playing a burrito joint that night near UNC. After sound check we wandered around the campus and ran into the place on campus where they were filming outside.
About 100 people had gathered around to watch the goings on. When the director called cut, Williams didn't head for his trailer though. He jumped out into the crowd and signed autographs and started riffing with everyone who was standing there. It was that manic energy that we've all seen from him. He cracked jokes and worked the room (well, lawn actually) until he got to us, four shaggy looking rockers with mustaches. I thought he'd give us both barrels but he actually had a pretty sincere conversation with us about music, touring, being on the road, etc. He signed an autograph for our drummer, we invited him to the show, and he said he'd think about it. And then he moved on to the next available target and kept going until they needed him back on set about 20mins later.
It was just a brief encounter but it def seemed like he had an energy level that didn't go down. "Always on" would be an understatement. I thought this line from A.O. Scott's piece on Williams summed him up well: "His essential persona as an entertainer combined neediness and generosity, intelligence and kindness, in ways that were charming and often unexpectedly moving as well."
Fun Williams in-the-wild clip: 1986: Jonathan Winters and Robin Williams improvise on 60 Minutes.
About 100 people had gathered around to watch the goings on. When the director called cut, Williams didn't head for his trailer though. He jumped out into the crowd and signed autographs and started riffing with everyone who was standing there. It was that manic energy that we've all seen from him. He cracked jokes and worked the room (well, lawn actually) until he got to us, four shaggy looking rockers with mustaches. I thought he'd give us both barrels but he actually had a pretty sincere conversation with us about music, touring, being on the road, etc. He signed an autograph for our drummer, we invited him to the show, and he said he'd think about it. And then he moved on to the next available target and kept going until they needed him back on set about 20mins later.
It was just a brief encounter but it def seemed like he had an energy level that didn't go down. "Always on" would be an understatement. I thought this line from A.O. Scott's piece on Williams summed him up well: "His essential persona as an entertainer combined neediness and generosity, intelligence and kindness, in ways that were charming and often unexpectedly moving as well."
Fun Williams in-the-wild clip: 1986: Jonathan Winters and Robin Williams improvise on 60 Minutes.
8/6/14
The scene that Roger Ebert called "the sexiest and funniest at the same time in all of romantic comedy"
Roger Ebert's review of Preston Sturges' "The Lady Eve” calls out this scene...
If I were asked to name the single scene in all of romantic comedy that was sexiest and funniest at the same time, I would advise beginning at six seconds past the 20-minute mark in Preston Sturges' "The Lady Eve,” and watching as Barbara Stanwyck toys with Henry Fonda's hair in an unbroken shot that lasts three minutes and 51 seconds.
Stanwyck plays an adventuress who has lured a rich but unworldly young bachelor to her cabin on an ocean liner, and is skillfully tantalizing him. She reclines on a chaise. He has landed on the floor next to her. "Hold me tight!” she says, holding him tight -- allegedly because she has been frightened by a snake. Now begins the unbroken shot. Her right arm cradles his head, and as she talks she toys with his earlobe and runs her fingers through his hair. She teases, kids and flirts with him, and he remains almost paralyzed with shyness and self-consciousness. And at some point during this process, she falls for him.
8/4/14
Bill Burr: When was the last time you went on stage and you killed so hard the person after you bombed?
Bill Burr was asked, "Can women be funny?" His answer: "Yeah, of course." And then he went on...
Kill, kill, kill. The rest will sort itself out.
Become undeniable. When was the last time you went on stage and you killed so hard the person after you bombed? If you're fucking doing that on a regular basis, people are gonna notice, regardless of what you have between your legs.
Kill, kill, kill. The rest will sort itself out.
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Even the best standups seem to just scrape by. Then you hear about a guy who got a late night writing gig. Pay's nice. Long hours but he...
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Never been to a Letterman taping. But I've heard the studio is chilly due to Dave's orders. Was talking about it the other day with ...
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Patton Oswalt preaches love instead of hate in standup. “Actually, I think when you’re younger, anger and comedy mesh together very, very w...